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« Scattered Thoughts and Admiration for ‘Her Name Upon the Strand’ and Other Tammythings: A Partial Retrospective » by Cyril Camus in ‘Cha: An Asian Literary Journal’ (14 August, 2026)

Her Name Upon the Strand is a delightful patchwork of micro-fragments that are sometimes realist or minimalist, and one never knows to what extent they are autobiographical or resolutely fictional, sometimes Kafkaesque or discreetly surrealistic, along with a few longer texts (some four pages long) in a similar vein

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